No Beast So Fierce
by Edward Bunker | 
Dog Eat Dog
by Edward Bunker |
Little Boy Blue
by Edward Bunker | 
Hell on Church Street
by Jake Hinkson | 
Two For The Money
by Max Allan Collins | 
Che Committed Suicide
by Petros Markaris | 
Zone Defence
by Petros Markaris |
Nobody's Angel
by Jack Clark | 
Build My Gallows High
by Geoffrey Homes | 
Dead Street
by Mickey Spillane |
The Comedy is Finished
by Donald E. Westlake | 
The corpse wore pasties
by Jonny Porkpie |
Arab Jazz
by Karim Miske | 
The So Blue Marble
by Dorothy B. Hughes | 
Dutch Uncle
by Peter Pavia |
Death Rites
by Alicia Gimenez Bartlett | 
Gun Machine
by Warren Ellis |
Somebody Owes Me Money
by Donald E. Westlake |
Get Carter
by Ted Lewis | 
Meet Me at the Morgue
by Ross Macdonald |
The Animal Factory goes deep into San Quentin, a world of violence and paranoia, where territory and status are ever-changing and possibly fatal commodities. Ron Decker is a newbie, a drug dealer whose shot at a short two-year stint in the can is threatened from inside and outside. He's got to keep a spotless record or it's ten to life. But at San Quentin, no man can steer clear of the Brotherhoods, the race wars, the relentlessness. It soon becomes clear that some inmates are more equal than others; Earl Copen is one of them, an old-timer who has learned not just to survive but to thrive behind bars. Not much can surprise him-but the bond he forms with Ron startles them both; it's a true education of a felon.